Argh, the Slip crew are going from strength to strength at the moment. After a couple of great shows in Berlin at Del Rex and London at Rye Wax with folks from across the roster and the world – including sweet debutants Paul McGuire and Sean C. Stevens – they did a night’s takeover at Café Oto. Together with percussionist Delia Stevens, it was a total pleasure to write and premiere a 25′ live-typed text piece called Seven Simple Songs for Schulz (or, The Possible Death of a Man I Did Not Know) on August 4th. It’s about Match of the Day, fatherhood, and trying to understand other people’s losses, and it’s all backed up by the saddest latinate-cum-Nashville chamber music you’ve never heard.
This shot from the show is by Ralph Pritchard. A lot of Seven will end up on the next full-length effort, but if you’re so inclined, you can give the track High-Rise an early little listen-viewing right here. Big thanks to Tom Rose & Laurie Tompkins for setting it up, to Owen Roberts and Susie Whaites for playing winds on the soundtrack, and to Louise Snape, Rob Hughes and Ismar Badzic for hosting Delia and me at the amazing Abbeydale Picture House for the documentation shoot.
Laurie did a two-hour slot over at NTS in the run-up, and the broadcast is available here. Brittle Love featured alongside a host of work by folks involved in the Slip project, and it’s a sweet listen for anybody looking for a way into the scene. Finally, Delia and I done made a recording at the incredible Abbeydale Picturehouse in Sheffield, which is run by Hand Of. Available soon, along with a bunch of new pieces for new people & places, including something really big…
In a quietly concerted way, I’ve been penning short texts on why music is great. One of them is sold-out published over here, another in the Berlin operation BLATT 3000 here, and one happened orally at the stunning Echo Bücher on a glorious evening in April. There are a total of one hundred in the works, stay tuned.
In other news, there were a couple of Tired Musics for Dear Serge shows down south in May and July; one in Hastings with Bartosz Dylewski and Prinzhorn Dance School, which streamed over at the DFA Records site, and involved the seaside.