Category Archives: Uncategorized

September 2025 / ACTION VIBRATION UK TOUR + NEW FRIENDS + RECORD RELEASE +  TLC + SHOP

We did it! Hooray, etc. We played a set of the new record in Liverpool, London and Newcastle, and it was fun. I’d say we got better each gig, and it was a pleasure to play with such cool guests at each stop along the way. In Liverpool, we met Germanager, whose weird multicoloured iPad pop was a great fit – cheers, Ben, for making the match. Alex releases all singles, and they’re all a quid. They’re all tremendous, but if forced to pick one, I’d say that Lows is my fave. In London we got to play with Will Gardner, who did a first-ever improvised set based on his next record, which is about the hadal zone, a part of the ocean I didn’t know much about, and it was still and beautiful and eerie and absolutely slapped. The record isn’t out yet, but I made a little bootleg of a part of the performance on my phone which I have titled ‘Will transcendental gorgeous bit’, and for now that’s my favourite of his new tunes. For our last gig, in Newcastle, we had the daunting pleasure of playing after Jæd, whose furious beautiful virtuosic-with-purpose post-blues situation is one of the best things I have ever heard in the flesh. She played solo but somehow it was as if there was an entire symphony orchestra backing her up. Lucky for us, there was a 15 minute break before we played to reset the stage, and to give the audience an opportunity to forget to make a comparison between what they’d just heard and our plinky-plonky pop songs. THANK YOU TO EVERYBODY who came out, and to all of the organisers, and to Arts Council England, who helped to bankroll the affair, despite the very real Technical Difficulties they are Experiencing. Photo of the dying moments of the Newcastle show, at Cobalt Studios, below (taken by newly North Eastern Joe Bates) for now back to administering invoices and pecuniary disbursements, bc paying for petrol is the new rock & roll.


After all manner of internet shenanigans (but fewer impasses than I had anticipated, to be fair to Bandcamp), Action Vibration is up for sale there; a snip at £10 for the strange physical thing that I will personally post to you, and £9 for a digital copy. Buy it, help us to move this thing forward. If you can’t afford it but really want it, email me (see ???) and we can talk. More things are due to join the Bandcamp shop, including maybe some fun whimzzical one-off things. We made up a game on tour called ‘Scrunch’, involving broomsticks and crumpled sheet music and rules loosely derived from ice hockey and croquet (which is an originally Irish game, if you can credit it), and we might publish these on there, but we’ll see. Keep an eye if you like that kind of thing.

My buddy T.Z has been B.Z (see what I did there?) Two new little EPs, available for bargain basement prices. He’s been in a bit of a sulk, I think. Like, the music is fine but it’s also a bit of a bummer, perhaps suitably for the time of year on this wet island, though rumour has it he lives in (on?) Jersey for tax reasons, and where the weather is basically French. He did wreck his Lambo, though, which might have something to do with his mood. But whatever, it’s OK music. Tune below:


In other news, I’m neck deep in the making of a long old theatricalish thing about the joys and miseries of life in, on and through the Internet, called The Life Coach, or TLC for short (so clever). I think it’s going to be quite good, but I’m at the part where it’s not entirely evident that it actually will be. I shall keep everybody abreast of developments as they develop. Over and OUT.

ACTION VIBRATION (2025) RELEASE + UK TOUR DATES


After a really very long time, dear reader, the record version (significantly recomposed, rearranged and reworked for a Home Listening Experience) of the 2021 big band piece-in-residence at Gateshead’s Glasshouse International Centre for Music (FKA Sage Gateshead) is back from the mastering engineer and about to come out. We’re currently screen-printing a very limited run of physical posters to accompany the release later this month, and WE HAVE DATES. They are as follows:

Sunday Sep 14th: LIVERPOOL [The Consulate, email me for the address!] 16.00

Saturday Sep 20th: LONDON [The Bath House, 80 Eastway | E9 5JH] 19.30

Thursday Sep 25th: NEWCASTLE [Cobalt Studios, 10 Boyd Street | NE2 1AP] 19.00


For this slender clutch of dates, I will be joined by the trio at the core of that 2021 big band, Rob Hughes, Ian Sankey, and my very own flesh-and-blood sister Louise Snape, and this is our touring photo, featuring Wimbrel the Goat Mother and a smattering of instruments not plugged into anything. You’ll forgive us, naturally, as there was nothing to plug them into in this working byre in the depths of Northumberland.

Thanks to a good many folks who have had a hand in getting us this far, not least to Hannes Fritsch, who consulted on many of the mixes on this record, and did a supreme job mastering it all. Herr Fritsch, I’m indebted to you, as per usual. Thanks also to Arts Council England, who have contributed funding to help us make these dates happen. Above is a track that isn’t anywhere else on the interwebs yet for to whet your appetite. It’s named after those chewable toothbrushes you often find in the toilets at service stations along motorways, and it feels like one of them, too: a minty blast followed by the deep sadness that accompanies the realisation that your teeth aren’t actually any cleaner than before you bought this thing for three quid in a squalid roadside loo, and that really what you want is your toothbrush, a sink, and your own pillow. To hear us play this and other manically weary tunes, come to a show near you!

NYC / SEQUENZA XV / ACTION VIBRATION / SHOP

Sep 2024
On the way back to the cool, green pastures of North East England, I stopped off for a couple of weeks in NYC to finally work with the supremely talented Nicole Patrick, extraordinary drummer and all-round musician, on our reimagination of the possibly never-written record of a Minnesota-based power duo, dubbed onto a cassette tape of children’s Christian music that I received in the post with a keyboard bought from Ebay. Take a quick listen to Nic’s funky playing on this very tiny slice, just enough to whet:

Coming to a stage, maybe, at some point in the future, nearish to you? It’s a tricky one, because of the pesky ocean. If you like what you hear and you’d like to book us, please let us know. How it will work live requires Some Exploration. Thanks to NYU for the use of their beautiful Mercer Street studio in SOHO, to Jaime Oliver for the hookup, and to all the staff in the Mercer building who so generously accommodated our needs. Also I went to the Sufjan Stevens broadway extravaganza, which was so awesome and better than I could have imagined it would be, and has put me spiraling deliriously into a recap of the music of my teens.

Last week Ian Sankey and I finally finished the Berio & Grock set that we began almost a year ago–the thing we’re calling Sequenza XV–with a week at The Glasshouse’s Foundry residence! We were holding out for good weather for some slightly adventurous filming with motorbikes and traffic, and then all kinds of life and work things intervened, which which meant the finishing touches to one of the pieces took Literally Ten Months to make. But it’s here now, and we’ll be booking something as soon as we’re playing the music correctly.


My friend T.Z. put another little record out on his bandcamp, and this time made a video too. I’m going to plug it here because why not, alongside my old friend Sean Stevens’ new tape under the name SYM; it’s an insane and totally virtuosic piece of computer music: think Plaid had a baby with Squarepusher through some kind of devilish Richard D. James reproductive technology, but then retooled for 2077 and beyond. I have one of the 32 hard copies that there are in the world (so there :p), but you can get your digital at the link just above. It slaps terribly hard. Ah, T.Z. below:


The new record is done, and I’m into it. It’s gone for mastering, and will be back soon, and in the meantime I’m on the hunt for a venue to put it out. OR maybe I’m going to do it myself, but either way, it’s come to my attention that we need some kind of webshop around here if things are going to run smoothly and effectively, for records and films and fun weird stuff we make moving forward. I’m actively working on this, so keep your peepers peeled and your plastic prepped, and I’ll update this post when the joesna.pe consumer portal is up and running. Mmm, stuff to buy. Below a repost of Far Northern Summer (I’m saving the other good stuff for later, because you know you want it all in one lovely drop).

SIGNIFICANT OTHER / WILLAPA BAY

May & June 2024

It has been a while since once stuck anything up here, but not for want of things happening. May saw the first year of the little festival Significant Other take place in Newcastle; thanks to all the artists who graced us with their sets, and to Elder Beer for hosting so generously, and to Arts Council England for helping us make ends meet. Next edition 2025? Maybe! The team and I will keep you posted. For now, the tab at the top of this page will stay up to prove something happened. Needless to say, you can’t buy tickets for events that happened in the past. 

Ian Sankey performing Jacob TV’s chonky I Was Like Wow at the last of our three shows. 

In June I had the great honour and remarkable pleasure to spend the month at the Willapa Bay AiR in the south of Washington State, sandwiched on a mile-wide peninsula between the Pacific and the beautiful bay. There were BEARS, SEALS, EAGLES and VULTURES everywhere, and deer and moose and the weirdest looking anemones I ever did see, and gorgeous weather. It was also super productive; Noble Gases, a fun little piece for soprano and double bass about lighter-than-air travel as a potential alternative to long haul jetting, has really come along, and is entering now the grinding phase of actually getting it done and making things work technically and logistically <sigh>. Thanks to Cyndy for her vision for the site and programme, to Jayne for her delicious and nutritious cooking, to Jeff for his man-about-town support of our endeavours out there, and to my fellow residents for all the interesting and thought-provoking discussions. See you all again!

TEDx Napoli / SIGNIFICANT OTHER Festival

March 2024

The Mole and I just got back from an incredible weekend in Naples, where it was a great pleasure to work with the production team there, largely based at RIOT Studio, a design agency located off of a gorgeous courtyard in the middle of the city, who have long been putting on very cool things in Napoli. Thank you to all of the speakers for their humbling and important talks (seriously, click that first link to check them out), and to the whole production team, with a special mention of Francesca N for the invitation and of Rossella C, for her essential help in getting You Are The Mole up and running with a LED wall of stupendous resolution and so bright! Sunglass intensities. A hopefully quite fancy film incoming, courtesy of a small army of well-drilled videographers at the event.

Mole in Action at TEDx Napoli. Photo by Antonio Sera.

In other news: the lineup of artists for a little festival I’ve been organising to happen in Newcastle on the first three Sundays of May is confirmed! Click here to read more about the folks playing, and to get involved. Hopefully this is the first edition of a thing that will become an annual fixture in Newcastle, and in this first proof-of-concept version, there’s a nice mix of friends and collaborators current, past–and with a bit of luck, future, too–including Hyperdawn, Sarah Heneghan, Nina Guo and Ian Sankey, and Sam Baxter. And on the 12th, together with a core quartet of Northumberland Radical Fun group, I’ll be giving the first performance of material from the record I just finished up, called Action Vibration. Below you can hear a pre-mastered version of one of the tracks from the record, which we are still very much Learning How to Play in Real Life (coming to a label perhaps not-so-near-you in perhaps the not-so-near-future; there is some figuring out to do). Come down to the festival, which is called Significant Other! It will be fun, relaxed, and also interesting. Elder Beer in Heaton, the venue for all three shows, also stocks some incredible beverages you’ll be hard-pushed to find anywhere else in (this part of) the country…  

Sequenza XV @ Foundry 2023, Glasshouse ICE / Willapa Bay AiR 2024, Washington / Wire & Wood

November 2023

Hooray! Ian and I spent a fantastic and totally productive last week of November in Sage 2 working on our evening-length weirdo spectacular about Luciano Berio, Karl Adrian Wettach (better known as ‘King of Clowns’, Grock and their unlikely geographical and artistic relationship. If you don’t already know him, peep one of Grock’s amazing shows at, for example, here, though like most of his shows, this one predominantly in German). 

The show, which is almost but not quite finished, has lots of fun things in it: a short film that documents a mad dash to the venue including backstage antics involving the mild destruction of Ian’s trombone (argh, sorry Ianni; I’m still breaking out in cold sweats over this blunder); a delightful story about endless private practice featuring a violently screeching art deco mirror; a roaring, rumbling bin, a state-of-the-art, wooden Hypobone, and a Pete Doherty-circa-2005 impression replete with smoke machines and the moodiest lighting; and an 18-minute musicological not-quite-spoof paper on Berio’s Sequenze, his broader contributions to electronic music, and the aesthetic overlaps of his brand of modern musicking and Grock’s approach to clowning. Oh, and Ian plays the original Berio like an utter don. Granted, I’m not impartial, but I’m also not lying: there are even Phat Beats. We almost video[graph]ed the work-in-progress showing on the Thursday evening, but decided it wasn’t quite as polished as we’d like it to be before presenting it to The Hordes of Internet, so for now here’s a photograph of the stage after soundcheck, just before being populated with theatrical amusements. Of course, better documentation will follow. Enormous thanks to all of the programmers, technicians, and Glasshouse staff for creating and facilitating the opportunity, and especially to Matthew Jones, who gave us the nudge we needed to apply. We’ll be back with the finished thing as soon as we have it done. 

Photo: Ian Sankey

Some more fun news that seems to signal a general return to Business as it Was Before Everything Happened; at the invitation of Willapa Bay AiR, I’ll spend the month of June on a twenty-kilometer long spit in the Pacific Ocean in Washington state near the Oregon border (seriously, check it out), working on a piece I have mentioned on this page a few times; Noble Gases, an operatish exposition on lighter-than-air travel, obscure wartime legislation on US helium exports, and the sonico-historical resonances between New Jersey and German house and techno music, wrapped neatly in a backpack for the power-pairing of Nina Guo (your new favourite singer), and Edward Kass (my mother’s favourite double bass player), AKA Departure Duo, and probably some video and text bits. This piece has been in the works for a while now, and it’s very satisfying to see the individual moving parts for its realisation begin to come together. Many thanks to the panel at WBAiR for having me, and hello in advance to my fellow residents; I’m looking forward to meeting you all! Let’s have a ball among the waves and oysters of Oysterville…

This post feels a little bald without some sound, so above I’ve dropped a tiny, very rough, (but still quite nice?) snippet of a side project I’m working on with the multitalented Rob Hughes under the moniker Wire & Wood; a guitar & xylophone softcore duo through which we’re trying to focus on honing forms that do the musical most with the material minimum. This sketch isn’t really what we sound like, but it’s the season of giving, and it’s something kind of warm in which to briefly bathe your eardrums, though to me feels sort of bleak and grey also, a bit like the Pacific Northwest? Happy whichever festival of light you do or don’t celebrate!